We’ve made some changes over the last year or so. We now have imprints, and we specialize a bit more than we used to, but our mission is the same:
We want to find and publish good writers, in the second half of life, who the big guys have ignored.
If you’ve published with us, and you have a full-length manuscript, we may be the publisher you’re looking for. Check out the kinds of things we’re publishing, and send us a query, if we have already published you. At Out of This World Press we’re looking for sci fi and speculative fiction, think Amazing Stories, Judd, Symak, Bradbury. At Hawkshaw Press we’re looking for detective fiction, primarily in a series, of the hardboiled or Miss Marple type. At Gravelight Press we’re looking for horror, and we’re fans of Seltzer, Benchley, Levin, King, and Blatty. At Devil’s Party Press we’re looking for short story collections that do not fall under horror, mystery, or sci fi, but do have an off-beat ring to them, or full-length literary fiction that does the same, think T.C. Boyle or Tom Robbins. If we have not already published you, check the submissions page for each imprint because the calls are not always open (it takes some time to read all the submissions that come in). And, let me just add this: we’re a small crew, and reading submissions is a lot of work. Look at the latest cover ofInstant Noodles. There is a giant cup of soup imbedded in the beach as the cover. This should tell potential authors something about our style.
If you want to publish with us, you may want to start by publishing with one of our anthologies or the lit mag., Instant Noodles. It’s always good, in sales, to give someone a taste. And, now, our print anthologies come with a payment too.
We love reading.
And we love our authors because of the great pieces they give us to read.
Thank you, authors, and we hope you’ll continue to watch our blog for new books and new opportunities.
As much as we love authors, we love readers even more.
Our readers help us keep doing what we love to do here at DPP, publishing great and undiscovered writers.
Thank you for being a DPP reader, for each and any book you read, and for every time you’ve reviewed a book for us. You truly help our authors when you give of yourself in that way.
If you want to be a DPP advanced reviewer, please email email@example.com .
When I was a kid in Ridley Park, Pennsylvania, my parents always had the record player going. My mother loved musical soundtracks, do-wop, and her Jeanette MacDonald and Nelson Eddy record (which I stole when I moved out. Love me some JMD & NE). My father liked Johnny Cash, Roy Clark, Roy Orbison (guys named Roy, I guess), and Frank Sinatra. And one of the pieces I was tortured by was the above song, written by Irving Berlin, and here performed by Mr. Sinatra. I like me some Frank, but not this one. I can’t stand it.
And another thing I can’t stand is authors using other people’s song lyrics in their books.
This is going to be my annual “you can’t use other people’s song lyrics in your book” post.
And, just like in days of yore, some folks will disagree with me.
But, the legal aspect is quite clear.
Though there is usually no issue with inserting a title “They were rocking out to ‘Duke of Earl!'” there is an issue with using the actual lyrics, which may or may not have the title within them, doesn’t matter.
Yes, permission can be obtained, if you can track down who actually owns them, but song lyrics move around a lot. They get bought and sold, and finding the owner can be quite the (unpaid) job.
Then, if you find them, and you are able to figure out how to request usage, and you get permission, you will have to pay a per-book fee. So, if you sell 100 copies of your book, you have to pay the song-usage fee 100 times.
And you may think, Well, if it’s so hard to find who owns it, I can probably get away with it.
It seems that the very same people who own the songs and don’t want to particularly be found so that you can lease them are quite assiduous about trolling for their lyrics, so yeah, you can roll the dice, but that lawsuit could be expensive and stop distribution of your book.
And here is one final way to think of it that I hope helps, because songs, especially those we have a personal connection to, are so evocative for us that it can seem like nothing BUT the lyric we want to use will do.
So think of it this way:
A lyric is another writer’s writing; it’s like a poem.
In the book that you are writing, do you really want to stick in a hunk of another writer’s writing? Can you imagine if I wrote a story, and, part way through it, I wanted to just stick in part of your story? I mean, you wrote that, why do I think I can just use it?
Lastly, you’re a writer. Surely you can imagine some song lyrics if you need to.
Sorry to be “that publisher,” but it bears repeating, no, you cannot publish your book with someone else’s lyrics inside it. There is no “fair use” way around it.
Although one of our more… ahem… unconventional titles, this book has been selling like boardwalk fries at our local bookstore this summer. They sold over a dozen copies in one week. And we thank them for their amazing and continual support! We love Browseabout!
Have you read it?
Does your work appear in this book?
Have you reviewed it?
If you haven’t read it you are missing out on a great collection of humor and pathos. And, c’mon, one of the most unusual covers you’ve ever seen.
It’s not too late to review this off-beat classic:
Last time I wrote here, one of the things I discussed was my writing workshop “crew.”
Do you have a writing crew?
If not, it may be time to “create” one.
Not that you need a local writing workshop. But you do need a group of fellow authors that you keep in touch with, can be via email only, and you need to agree to help each other out.
Are you old enough to remember the shampoo commercial, “And she told two friends, and she told two friends, and so on and so on?”
Why do you need this group? You need to write reviews for each other:
If your poem appears in a chapbook, or an anthology.
If his art appears in a magazine or collection.
If her short story shows up in an anthology, or he publishes his memoir, the “review-crew” should get on it, with all of you leaving reviews for each other.
This costs you nothing. Just a little bit of time. And, in the case of Goodreads, each time you review a book, it links to all the other reviews of the book, and, say a person named Steve reviewed the book prior to you, all the people who follow Steve will get another email to tell them that you have added to the conversation. Think about the wide net you can cast this way.
If you’re really willing to put in a coordinated effort for each other, you could even come up with a “standard” review for each of you, altered to suit the individual leaving the review, but make it easy for the group to do this for each other by automating it as much as possible.
This does mean, in the case of Amazon, that you may have to buy the book on Amazon to be able to leave a review there. It isn’t always the case, but it is sometimes true. And that could end up costing you the price of the book or anthology.
And, so what?
This is the cost of doing business.
This is the cost of a latte, or two.
And you already do it ALL THE TIME anyway. Yes, you do:
For example, my neighbor may show up at my house with her son in tow and say, “Grant’s band is selling car washes for a fundraiser.” And I, on the spot, buy a $25 car wash, when I would normally never pay $25 for a car wash, because they are my neighbors, and it is the cost of doing business, and so they buy cookies from my daughter during the Girls Scout cookie frenzy each year (which, by the way, is no joke; those troop leaders do not play). And the fire department is selling chicken salad, and your mother’s church is having a bake sale for the homeless, and your job is adopting a family for Christmas.
You do these things all the time.
And yet I cannot tell you how many people we have published who have never bothered to post a review, for their own book, or any other (and yes, you can review an anthology in which you are an author, just talk about one of the other authors).
There is, among some of the authors I encounter in this business of mine and in the many and various FB writing groups, an attitude of, “You should do this for me, because I am an author, and you should never ask anything of me in return.”
And yet, aside from the neighborhood harmony we create when we buy a car wash from the young guy next door, we absolutely, I believe, should have a “we are all in this together” attitude, and, if I may cliche again, the belief that “a rising tide lifts all boats.”
When we help each other out through reviewing, we help ourselves out, too. It’s a matter of literary survival.
About 15 years ago a friend of mine was endlessly asking me to follow her podcast. I admit freely that I had no idea what that was and was very “technology resistant” to figuring it out on my own, so I didn’t, and she, rightfully, wondered why the heck I wouldn’t support her. And that was wrong of me (especially as I love podcasts now!). I mean, how hard was it really to do that? But, she could have facilitated this by teaching me how to find and follow a podcast. It was not enough for her to have it, she had to make sure I could do what she was asking me to do.
BUT, this is why you have a little posse, a group that makes a pledge to support each other in this way, and helps each other navigate Goodreads and Amazon and the like. And you help each other write a quick review that basically says, “You will love this book! Buy a copy.” And you give a deadline, and you check in that you have done it, and you make sure that everyone gets a pass on doing it sometimes, but that most of you do it most of the time.
But what if Amazon or Goodreads does block your review because you are a contributor in the anthology? Do you have a spouse or a sister or a cousin who can leave a review for you instead? You write it, he or she submits it? Can you buy that person a copy of the book?
IS THIS CHEATING?
Not if you think you’re a good writer and you write well. And not if you think the people in your writing posse review club are good writers and they write well. If you think you and they don’t write well enough to deserve a review…. well… that’s a problem for Carolyn Hax.
And here is another way you pay it forward.
Your friend publishes his/her full-length book. Another friend is in an anthology. You buy a few copies…of both.
AND THEN you give them as presents to folks in your life who are hard to buy for.
You give a copy to your local library.
You put one in a gift basket for that silent auction at the middle school.
And what about that local book club you belong to? Are they reading your book and your friend’s book? If not, why not? Have you asked them to? Are they supporting you? It is, really, a small thing to ask, but if you have a mystery book club and you or your friend managed to get a publisher to publish your mystery, then why would they not read it? Maybe they cannot read it until next year, okay, but they put it in the rotation. And then you help them leave reviews.
None of these things is going to transform you into a New York Times bestseller overnight, but I don’t know how else you’re ever going to even begin to head in that direction, or how the indie publishers who do this work on a shoe-string are going to keep being there to give no-name authors the chance they deserve.
So, if this is a serious thing for you, you want to “make it” at this, you’d like to at least make enough $ someday for a nice vacation or a monthly car payment, you have to start digging away at this notoriety problem we all have by taking your eyes off of your manuscript long enough to help each other out.
BY THE WAY: It’s never too late to leave a review. You can start a whole new conversation by the review you post today.
#1. Develop a group of like-minded authors who solemnly promise to give each other reviews in a timely fashion.
#2. Buy books and give them to your local library and as gifts, etc. (or buy yourself the cheap Kindle version so you can post a review).
#3. Ask that any reading groups you belong to read your/your friends’ books.
#4. Create a budget for book purchases.
#5. Help people who may not know how to post a review post reviews for you, and help them write one.
#6. Keep the reviews short and sweet. “I loved it; you’ll love it too.” “Fast and fun read.” “Great way to spend a day at the beach!”
Thanks so much for your interest in DPP and for reading this blog. We love publishing people who the big guys ignore, and we thank you for helping us do what we love to do.
Virgina Watts has a new poetry collection available (see image above), The Werewolves of Elk Creek. Virginia also has a short story in Instant Noodles V1I2. And there will be a short story collection from Virgina through DPP in 2023. And she has an interview at The Writer’s Journey. Virginia Watts, if you’re interested in indie writing, I think you’re going to be hearing that name a lot more often. So buy a copy of that book! It’s a poetry book, with werewolves in the title… C’mon! You need this book!
Apologies; we lost our very good friend and superb author David Dutton in the interim. We ha hoped to publish his new novel (which we read and loved), and a collection of his short stories next year, but he lost his battle with multiple myeloma in early June before we could make any plans for that. Dave and I will greatly miss his kindness, warmth, and excellent writing. And we will really miss sharing his work with our readers.
And I don’t mean that as any disrespect to dear David. It’s just a fact, and a fact we’re aware of acutely as we published and lost another author named David previously, David Sturm, and his book is a wonderful read, and it doesn’t sell.
Some years back at a few writing events, Dave and I did a talk called “Don’t Die with Your Story.” We mean it.
And that harkens back to what I discussed in the first post in this series on sales. YOU sell your book. Oh, sure, if Stephen King went belly-up tomorrow, his books would still sell, and he’s working on keeping himself alive anyway, post-death, by writing books with his son now, so his son can step into his dad’s fanbase. Nice work if you can get it. Are you Stephen King? I know I’m not. Nor am I Emily Dickinson, or William Shakespeare, or Agatha Christie.
YOU, quite literally, sell your books, up until the point you become a sensation, like Christie or King, or etc.
How big is your fanbase? Who will buy your books when you’re dead?
Oh my gosh, what a downer I am being.
And I think it would be even worse to sell people a dream that pops like a soap bubble.
That’s not me. I believe in helping, and I believe in telling the truth, even when it is not what the listener/reader wants the answer to be.
We humans have a marvelous capacity for “bright-side” thinking, and it get’s us through a lot of tough times, and for that, humans should be infinitely grateful. And it’s not a guarantee.
This whole publishing enterprise began as a result of The Milton Workshop, which I began in 2015, and of which dearly departed David was a member, and our workshop, still going strong, has one motto, “Finish Your Damn Novel.” #finishyourdamnnovel. You have to. I have to. And short story authors, poets, you have to too (though it won’t be a novel, but a collection). It worries me, on your behalf, that so many authors now seem content with quick hits, “I won a flash fiction contest!” Hey, great, you can pop a wheelie on your banana seat bike, but that ain’t gonna get you in the Tour De France.
Here’s the thing about those flash fiction contests: they’re a distraction. They are enticing, oh, so enticing, because they present you with a challenge, and a deadline, and a possible big pay-off, like a slot machine. They also give you what you crave the most as a writer, someone who really does read your work, and provides you with feedback, no matter how subjective. But, do they help you #finishyourdamnnovel? Do they help you improve your writing? Are you working in a specific genre/theme that you like/suits you? Or is it romance this week, suspense the next? Are you learning to craft a style, and improve yourself, or are you performing parlor tricks? And, how do you feel, when you don’t get selected for the next round? Is it inspiring? Or demoralizing? We have published many a piece in our anthologies that I suspect was written for one of those contests, but we’re not offering those authors a whole book like we are life-long horror author David Fulcher, who has worked to perfect the art of the scary short story. We were asked to look at a “collection” from one author who we’d published, and it soon became clear that the flash fiction contests had taught this author how to write a short-short story with a twist, and by the third story I was bored silly by it. 1,000 words/suprise! ending. And again: 1,000 words/suprise! ending. A whole collection, 200+ pages of that? That’s about 50 surprise endings. Guess what, the surprise wears off. If you go into a flash fiction contest as fun, and only fun, and you have the time to spare away from your serious writing, enjoy yourself. Who am I to stop you? But if you want to be a great writer, perfect your craft, make it something honestly memorable….
When I began The Milton Workshop, I put an ad in my town’s FB group, and hung a few flyers around the local coffee shops, and I invited total strangers into my house, and I fed them lunch and damn good coffee, and we have been working together ever since, with only a few changes in members, and we’ve produced some amazing books and poems, and, also, it was the catalyst for this publishing endeavor. There is one member of the group who, at least once each year, says to me, “You invited total strangers to your house. I would never do that.” And I teasingly reply,
“I know you wouldn’t.”
But I did, and you can too. A writing group can give you everything a flash fiction contest can, but with substance. Get yourself a group of like-minded individuals who are committed to working on their writing and motivate each other to keep going. You will never get from a flash fiction contest what you will get from a writing group. If you’re not sure how to do it, you can read my old post about how I did it. Trust me, there are people, who live near you, who will want to join. And some of them may not be very good writers, and some of them may be amazing writers, and some will be in-between. (I lucked out… my workshop is full of writing geniuses!) And they will become life-long friends, and people who will visit you when you’re at your worst, celebrate you when you’re at your best, and mourn you when you leave the world behind.
These are my dearest friends:
I owe them my sanity, my experimentation, my social life, and my writing.
And so, this week’s post, on selling, gives you this piece of advice: have something worthwhile to sell. Don’t be a flash-in-the-pan. Make this a commitment and not a parlor trick. Find yourself a tribe to help. Finish your damn novel! And, don’t die with your story.
RIP dear David. I miss you more than I can put into words… some great writer I am, huh?
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